“I do not wait for unconsciousness to force my eyes shut. The moment the blue truck hits my bike and sends us flying in the air, I let go. I close my eyes, refuse to hug myself and hold on to the shattered pieces of my being. I stretch my arms, loosen my grip and let myself fall on the concrete. When I said I wanted to be a grounded person, I didn’t mean this, gosh!
My left arm hits the ground first, dislodging itself from my shoulder. I hear the bone break before I feel the dampness of the blood on my neck. It is strangely comforting. The warmth of the sun and the pool of blood are soothing enough for me. I open my eyes and see a right hand, palms up and dipped in blood. I try to hold that hand when I realize it is my own. That brings up a chuckle and some blood right out of my mouth. Sometimes, when you’re broken, you can’t always hold your hand, pick yourself up and get on with life. Because sometimes, you really are broken. I make myself laugh from the inside, I refuse to look up or cry for help. I stare at my severed palm and try to make out the lifeline hidden in that blood somewhere. I watch the blood pool beneath me getting bigger. The blood moves around in perfect, steady curves. I decide to trace its boundaries with my fingers. I try to move my fingers; only the forefinger moves. Soon enough, my eyes start to close, so I let them. I am being lifted up by some strangers. I don’t like that. One of them climbs on top of me and tries to get my heart start beating on its own. Suddenly, my eyes are wide open. It’s so dark. Why is it so dark?
I am lying straight. I should move to my side. I can’t move to my side. I try to move my forefinger, I can’t do it either. I feel the heavy weight on my chest. May be the strangers are still trying to save me. But, why am I at home? I try to shift my gaze from the roof towards the stranger sitting over me. I have to keep staring at it in the darkness to make out what I am looking at. She is crouched up on my chest. She’s so tiny. How can such a tiny person weigh so much? The heaviness is killing me. She smiles at me. The pain is killing me, I try to say. But no voice comes out of my mouth. She continues to smile ear to ear. What’s happening? Why can’t I move? I yank my neck to my right, a hand waves at me. I keep staring in that direction, but it’s just the hand. I try to close my eyes and go back to sleep. I can feel my body shrink. I want to ride a bike and get hit by a blue truck. I want to be able to choose my demons.
My home is full of people, so many people. I don’t recognize any of them. “Hello, who are you?” I ask one. She keeps her hand on my shoulder. I break away from her. I bump into several people in the process, making me sprint away faster. I am running away from my own home. I don’t want to run away. My eyes open up again. I stare to my right, the hand waves. A smile appears above it. I look to my left: two faces, smiling ear to ear, shaking their heads. I try to look away; my neck is so stiff. Someone help me! I try to shake my arms, my legs, neck, anything, everything… Nothing moves, except those faces, smiling at me. I struggle like that for a few minutes, or hours? I try to shout, but all I get is a steady stream of teardrops trickling down from my eyes.”
I stare at the words. I stare at them long enough to strip them off their meaning. I stare at them till the wish to be in an accident and get extremely hurt lays bare, till the shamelessness of writing it down hits hard. I stare at the words that fail to communicate the experience of several regular episodes of sleep paralysis. There’s no relief in being stuck, there’s no relief in running away. The words dissolve into the randomness that is this moment in life. The forced expressions, the obvious, suggested humor in the work melt into the chaos, taking that last bit of shame with them.
“I want to be able to choose my demons.” Seriously? Accident would be a trick of fate; sleep paralysis, just a bump in the natural process. But writing and having written? What weird imp is this? I wait for a moment of realization to strike. I wait for this random blackness to move just a tiny bit aside to let the bright light blind my eyes, giving me something more than the clichéd dark-and-light imagery. But deep inside, I am happy with this cliché. It’s dependable and encouraging at the same time. It’s always there, even when it’s not.
The words mock me. They mock me for all the times I used them at places I shouldn’t have. Wait. I refuse to take that shit. I write some more to hit them back; because I would use them again at the same places if I had a chance to do over again. Am I playing with them or am I the one being played with?